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Visions of dawn

Joyce, Maurício Maestro & Naná Vasconcelos
Discs: MPB

In Stock

Data sheet Discs

Seal	Far Out
Style	MPB
Year of Recording	1976
Original Edition Year	2009

More info

Joyce (voz, guitarra), Maurício Maestro (bajo, voz, guitarra), Naná Vasconcelos (percusión, voz)

Edición en formato Digipack.

Una inédita sesión de grabación recuperada 33 años después de celebrada, que registra el encuentro de la cantautora carioca Joyce Silveira Moreno (Rio de Janeiro, 1948), del cantante, instrumentista, compositor y arreglista Carlos Mauricio Mendonça Figueiredo (Rio de Janeiro, 1949) y del extraordinario percusionista pernambucano Juvenal de Holanda Vasconcelos (Recife, Pernambuco, 1944).

Un disco histórico que contiene algunas y presagia otras de las bellezas que iban a venir: los temas que Joyce grabaría de nuevo y se harían populares en los primeros 80 en los magníficos álbumes "Feminina" ("Banana" y "Clareana") y "Tardes cariocas" ("Nacional kid") o los originales arreglos vocales de Maurício Maestro (como en "Carnavalzinho") que, apenas dos años después de está grabación, iban a fascinar en las voces del grupo vocal Boca Livre.

Una rara combinación de sofisticación y frescura absolutamente original. Una delicia.

"The original ‘lost’ Brazilian acid-folk album recorded in Paris in 1976: This stunning, previously unreleased project by three Brazilian music legends has now been rescued and set free by Joe Davis’ Far Out Recordings. Led by the sharp lyrics and gorgeous, expressive voice and guitar of Joyce the trio is completed by the expert musicianship of her close friends Nana Vasconcelos (percussion) and Mauricio Maestro (electric bass, vocals, guitar and producer) who were both crucial in creating this masterpiece. These beautiful, hazy and understated recordings, which took place among the charming artistic 1970s Paris scene, offer a unique chance to sit in on the original jamming sessions of tracks that later became Brazilian cult classics. With Andy Votel’s stunning psychedelic designs dripping from the cover the Paris 1976 project is utterly essential."