Unbinding

Cibelle
Disques: Electrónica / Pop

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Fiche technique Disques

Timbre	Crammed Discs
Style	Electrónica / Pop
Année d'origine Édition	2013
Dansable

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En su 4º álbum (además del EP "About a girl"), la imaginativa e impredecible cantante y compositora paulistana Cibelle Cavalli (São Paulo, 1978), que reside en Londres (Reino Unido) desde 2002, vuelve a sus orígenes electrónicos en una fascinante propuesta de "dance music retrofuturista". Una visionaria combinación de R'n'B', garage, pop y electrónica desbordante de matices, en colaboración con el productor británico Klose.

"We wanted to explore silence as thoroughly as rhythm and to explore alternative approaches to song structure. To create a stark, impersonal yet human world replete with contrast and contradiction." Cibelle & Klose

"Dance music brings people together. To unbind means to let go. Let go of division: on the dancefloor and on the street, we move as one. These bones are nothing, the secret is inside your flow with the peace in your thoughts, listening to the silence within. This is for change, letting go for change to come about.

Lyrically, I started from my own most earthly processes: letting go, not getting attached to human relations and all types of love, as they happen, fade away and transform. Realizing how one's actions are reflected in one's surroundings, and moving towards the state of a vessel, a mere messenger for these informations encoded in silence, and on to being an instigator for these processes all around, by surrendering to the sounds to facilitate an inward journey to that place where we are all one. It's all about silence, to shake up to wake up." Cibelle

" I experimented with formant pitching and other extreme forms of vocal processing. Sonically, there is an emphasis on texture and a severe juxtaposition of wet and dry. I felt that Cibelle's vocal performances as a live artist were far more impressive than anything she had recorded and wanted to do justice to her voice by capturing uninhibited performances via a luxurious signal chain. I also deliberately sought to preserve and advertise the weakness in the music's rendering to bind the listener to the artist in the same way as a genuine loving relationship elicits tenderness based primarily on the appreciation of imperfection." Klose