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Heitor Villa-Lobos - Obra completa para piano sol, vol. 1

Heitor Villa-Lobos - Obra completa para piano solo, vol. 1

Marcelo Bratke
Discos: Clásica

Próximamente disponible

Ficha técnica Discos

Sello	Biscoito Fino
Estilo	Clásica
Año de Edición Original	2010
Instrumental

Más

Marcelo Bratke (piano solo)

Edición brasileña, en formato Digipack, del disco lanzado originalmente ese mismo año en Reino Unido por el sello Quartz.

"Throughout his life Villa-Lobos was the amused accomplice of children. He had none of his own but he devoted songs, typical scenes and little stories which occupy an enormous part of his extensive artistic production preserving the moods of childhood. This disc, which opens the collection of the complete solo piano works by Villa-Lobos, focuses on the universe of children, one of the favorite themes of one of the most prolific composer of the 20th Century.

Caixinha de Música Quebrada (tema 1)
Villa-Lobos, who had been called by Brazilian President Getulio Vargas to conceive a musical plan for schools in Brazil, left behind a concert tour in Europe and went into an experimental tour designed by him to diffuse music throughout Brazil in an attempt of unifying the country through music. It was during one of these trips, travelling by train between small cities and villages of South-east Brazil that Villa-Lobos wrote the miniature for piano entitled Caixinha de Música Quebrada. In English: “Broken Musical Box”, a very hybrid piece into his vast work, with its chromatic and dissonant harmonic elements that describe the imperfect mechanism of an imaginary old musical box and its nostalgic moods. Villa-Lobos dedicated the work to his friend, the pianist and composer Souza Lima, who was part of the group that followed him throughout these rather adventurous journeys.

Cirandinhas (temas 2 a 13)
Written in 1925, these small format pieces seem like a preparatory essay for Cirandas, written one year later. Much simpler in its formats and harmonic vocabulary than Cirandas, Cirandinhas; (in English; “children little rounds”) capture the hidden poetry that exists in the collective unconscious of the Brazilians with its melodies sung in childhood transformed and alternated with Villa-Lobos own melodic lines, sometimes as introductions and other times as bridges or even as mirrors of the folk material collected by the composer. The delicacy of these musical impressions echoes the imaginary scenes passed in small villages of rural areas of Brazil which are lost in time and place but which have the impact of a strong sense of “Brazilianity” in all its diversity and colour.

Cirandas (temas 14 a 29)
The set of sixteen Cirandas is the most extensive work by Villa-Lobos for piano solo. They depart from popular melodies sung to children or by children which passed from generation to generation from the north to the south of Brazil. Villa-Lobos does not quote folk musical material but transforms it and this process is perfectly illustrated by these musically and technically highly demanding pieces in which the exploration of the modern dissonances merge with other properties born in the composer’s imagination. Cirandas (children rounds) show how the imprint of Villa-Lobos poetry is capable of transcending the elements from which he found his inspiration developing a complex and modern musical tram to achieve a perfect balance between simplicity and musical richness."

Temas

CD 1

Caixinha de música quebrada 5
Heitor Villa-Lobos